Officer Warnebring uses his musical background to fight the group that terrorizes the city and falls in love with ringleader Sanna. He hatches a plan to force the anarchists to use the entire city as a tool to control the power supply. The climax comes when the city switches on a giant musical instrument in its power grid and Warneke’s famous conductor brother is prompted to play a John Cage-esque soneless symphony.
Based on one of the central gimmicks, “Skimpy Sound of Noise” doesn’t exaggerate its welcome by speeding up in line with its musical set pieces. The editing and sound mixing are snappy and appealing, and the animation runs throughout the film. Although not musically, there are moments of downtime that are choreographed to the haunting hum of a metronome as one of our gangsters leaves the scene.
As mentioned in this chapter, there are four different aspects of the sound that enhance the characters and the story and make the movie a more complete experience. In this respect, the otherwise terse Sound of Noise is terrific fun, leading to an unlikely climax in which an entire city block and a confluence of lights and sounds are more exciting than most climatic blockbuster explosions. The best images nod to the idea of sound and noise on a satisfying narrative level.
The sound of a film includes music, dialogue, sound effects, ambient noises, background noises and the soundtrack. Furthermore, as we discussed in the previous chapter, the sound in the film is edited in such a way that it is coherent and understandable throughout the film. Film music is the music that runs at the beginning of the film when the credits are running, and it determines the atmosphere of the film.
There are a lot of orchestral movements in a film, and while they may squabble and bicker a bit, they don’t sound dry or unusual. Action films, for example, often have interesting and daring sound effects.
The idea was that Price and his crew did a fantastic job of delivering material that was orchestral, but not excessive. They would not use the sound of traditional sound design to blow something up, let alone the music of a ballet at a certain point.
A soundtrack is an audio recording made for film production or post-production. A soundtrack can be an original soundtrack for a movie or a way to promote a movie. The simple story revolves around the policeman Amadeu Warnebring (played by Bengt Nilsson), a deaf scion of a distinguished family of musicians, and his attempts to locate a group of six guerrilla drummers whose anarchic public appearances terrorise the city. They plan a concert with four titled movements to be played throughout the city and analyze the objects with which the best music is made.
This cheeky Swedish feature film, which distorts police proceedings and bows to John Cage, pitts the music-hating, likeable detective against a group of anarchist percussionists. In less practical terms, it’s more of an act of cinematic contortion. The short film is about a group of six guerrilla percussionists whose anarchic public performances terrorize the city, using standard housing as their instruments, and letting go of unspecified civic and cultural institutions of the cities.
Sanna Persson is an avant-garde artist who terrorises the city with her illegal pieces of musical street theatre. As Persson and her collaborators approach their great work of music, one of the six drummers of the city, Bengt Nilsson, is haunted by her previous crime in which Persson ran a van around and used it as an instrument while her partner Magnus Borjeson played drums in the background.
Policeman Amadeu Warnebring brings life into chaos when a group of six eccentric drummers decide to launch a musical attack with the city as an instrument. Caught by the band, he enters a world into which he has spent his life on the run: the frightening world of rhythm and music. A gang of criminal terrorists, led by the beautiful and revolutionary genius Sanna, whose first play was performed in a hospital in the anaesthetised body of a hated TV star.
The detective who tracks them down is Amadeus Warnebring (played by a dutiful fear survivor, Bengt Nilsson), who comes from a tone-deaf family of prominent musicians. Police officer Amadeu Warnebring was born into a family of musicians with a long history of famous musicians. But his name makes him unhappy at work, and his conductor brother Sven Ahlstrom finds that every note is played with arrogance.
The Sound of Noise is a Swedish-French crime thriller written and portrayed by Ola Simonsson and Johannes Stjarne Nilsson. It tells the story of a group of musicians who make music at objects in different institutions in the city. Ultimate Playlist of Noise on Hulu A teenager facing a serious medical problem makes the spontaneous decision to set fire to a trip to record his favorite sounds.
The title comes from the 1913 manifesto of the Italian futurist Luigi Russolos, The Art of Noise. It is a sequel to The Music of One Apartment with Six Drummers, a short film by Ola Simonsson and Johannes Stjarne Nilsson from 2001 with the same basic concept.